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	<id>http://fraternityofshadows.com/w/index.php?action=history&amp;feed=atom&amp;title=The_Blind_Gypsy</id>
	<title>The Blind Gypsy - Revision history</title>
	<link rel="self" type="application/atom+xml" href="http://fraternityofshadows.com/w/index.php?action=history&amp;feed=atom&amp;title=The_Blind_Gypsy"/>
	<link rel="alternate" type="text/html" href="http://fraternityofshadows.com/w/index.php?title=The_Blind_Gypsy&amp;action=history"/>
	<updated>2026-09-15T22:58:07Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>http://fraternityofshadows.com/w/index.php?title=The_Blind_Gypsy&amp;diff=118906&amp;oldid=prev</id>
		<title>The Lesser Evil at 17:46, 7 May 2016</title>
		<link rel="alternate" type="text/html" href="http://fraternityofshadows.com/w/index.php?title=The_Blind_Gypsy&amp;diff=118906&amp;oldid=prev"/>
		<updated>2016-05-07T17:46:28Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 11:46, 7 May 2016&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Potential-Canon}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In &amp;#039;&amp;#039;The Blind Gypsy&amp;#039;&amp;#039; by [[Cezar Vercezzo]] a [[Vistana]] whose family is killed seeks to prevent future tragedies by trading his eyes to an [[Hag | evil hag]] for a pair of gems that can [[foresight | see the future]]. However, every future he sees depicts the subject being murdered by an unseen creature. The Vistana is soon cast out and forced to live among the [[giorgio]], most of whom rashly try to use the “seer’s” visions for themselves. One by one, the giorgio fall to the [[curse]], including a kind girl who has sheltered the Vistana. In the end, the Vistana races to save her, but discovers the girl dead in the hag’s arms. In the climactic aria, the hag chides him for tempting fate and gloats that her gems did show him the future: her own.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In &amp;#039;&amp;#039;The Blind Gypsy&amp;#039;&amp;#039; by [[Cezar Vercezzo]] a [[Vistana]] whose family is killed seeks to prevent future tragedies by trading his eyes to an [[Hag | evil hag]] for a pair of gems that can [[foresight | see the future]]. However, every future he sees depicts the subject being murdered by an unseen creature. The Vistana is soon cast out and forced to live among the [[giorgio]], most of whom rashly try to use the “seer’s” visions for themselves. One by one, the giorgio fall to the [[curse]], including a kind girl who has sheltered the Vistana. In the end, the Vistana races to save her, but discovers the girl dead in the hag’s arms. In the climactic aria, the hag chides him for tempting fate and gloats that her gems did show him the future: her own.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>The Lesser Evil</name></author>
	</entry>
	<entry>
		<id>http://fraternityofshadows.com/w/index.php?title=The_Blind_Gypsy&amp;diff=27601&amp;oldid=prev</id>
		<title>Gonzoron: correction, the opera itself IS cursed... my mistake...</title>
		<link rel="alternate" type="text/html" href="http://fraternityofshadows.com/w/index.php?title=The_Blind_Gypsy&amp;diff=27601&amp;oldid=prev"/>
		<updated>2010-03-08T18:43:24Z</updated>

		<summary type="html">&lt;p&gt;correction, the opera itself IS cursed... my mistake...&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 12:43, 8 March 2010&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l3&quot;&gt;Line 3:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 3:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Whenever performers in Vercezzo’s operas plays a role for a few months, their real life slowly and subtly comes to mimic their characters&amp;#039; experiences. Sadly, the dominant themes in Vercezzo’s &amp;#039;&amp;#039;oeuvre&amp;#039;&amp;#039; are uncontrolled passion, romantic betrayal, scheming women, violent men, and third acts awash in blood.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Whenever performers in Vercezzo’s operas plays a role for a few months, their real life slowly and subtly comes to mimic their characters&amp;#039; experiences. Sadly, the dominant themes in Vercezzo’s &amp;#039;&amp;#039;oeuvre&amp;#039;&amp;#039; are uncontrolled passion, romantic betrayal, scheming women, violent men, and third acts awash in blood.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Opera]][[Category:&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Curse&lt;/del&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Opera]][[Category:&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Cursed&lt;/ins&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Gonzoron</name></author>
	</entry>
	<entry>
		<id>http://fraternityofshadows.com/w/index.php?title=The_Blind_Gypsy&amp;diff=27600&amp;oldid=prev</id>
		<title>Gonzoron: since this is about a curse, but the Opera itself is not cursed, I&#039;m going with category:curse.</title>
		<link rel="alternate" type="text/html" href="http://fraternityofshadows.com/w/index.php?title=The_Blind_Gypsy&amp;diff=27600&amp;oldid=prev"/>
		<updated>2010-03-08T18:42:48Z</updated>

		<summary type="html">&lt;p&gt;since this is about a curse, but the Opera itself is not cursed, I&amp;#039;m going with category:curse.&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 12:42, 8 March 2010&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l3&quot;&gt;Line 3:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 3:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Whenever performers in Vercezzo’s operas plays a role for a few months, their real life slowly and subtly comes to mimic their characters&amp;#039; experiences. Sadly, the dominant themes in Vercezzo’s &amp;#039;&amp;#039;oeuvre&amp;#039;&amp;#039; are uncontrolled passion, romantic betrayal, scheming women, violent men, and third acts awash in blood.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;Whenever performers in Vercezzo’s operas plays a role for a few months, their real life slowly and subtly comes to mimic their characters&amp;#039; experiences. Sadly, the dominant themes in Vercezzo’s &amp;#039;&amp;#039;oeuvre&amp;#039;&amp;#039; are uncontrolled passion, romantic betrayal, scheming women, violent men, and third acts awash in blood.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Opera]][[Category:&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Cursed Item&lt;/del&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Opera]][[Category:&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Curse&lt;/ins&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Gonzoron</name></author>
	</entry>
	<entry>
		<id>http://fraternityofshadows.com/w/index.php?title=The_Blind_Gypsy&amp;diff=24430&amp;oldid=prev</id>
		<title>Cure at 01:30, 22 February 2010</title>
		<link rel="alternate" type="text/html" href="http://fraternityofshadows.com/w/index.php?title=The_Blind_Gypsy&amp;diff=24430&amp;oldid=prev"/>
		<updated>2010-02-22T01:30:19Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;col class=&quot;diff-marker&quot; /&gt;
				&lt;col class=&quot;diff-content&quot; /&gt;
				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 19:30, 21 February 2010&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In &amp;#039;&amp;#039;The Blind Gypsy&amp;#039;&amp;#039; by [[Cezar Vercezzo]] a [[Vistana]] whose family is killed seeks to prevent future tragedies by trading his eyes to an [[Hag | evil hag]] for a pair of gems that can [[foresight | see the future]]. However, every future he sees depicts the subject being murdered by an unseen creature. The Vistana is soon cast out and forced to live among the [[giorgio]], most of whom rashly try to use the “seer’s” visions for themselves. One by one, the giorgio fall to the [[curse]], including a kind girl who has sheltered the Vistana. In the end, the Vistana races to save her, but discovers the girl dead in the hag’s arms. In the climactic aria, the hag chides him for tempting fate and gloats that her gems did show him the future: her own.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In &amp;#039;&amp;#039;The Blind Gypsy&amp;#039;&amp;#039; by [[Cezar Vercezzo]] a [[Vistana]] whose family is killed seeks to prevent future tragedies by trading his eyes to an [[Hag | evil hag]] for a pair of gems that can [[foresight | see the future]]. However, every future he sees depicts the subject being murdered by an unseen creature. The Vistana is soon cast out and forced to live among the [[giorgio]], most of whom rashly try to use the “seer’s” visions for themselves. One by one, the giorgio fall to the [[curse]], including a kind girl who has sheltered the Vistana. In the end, the Vistana races to save her, but discovers the girl dead in the hag’s arms. In the climactic aria, the hag chides him for tempting fate and gloats that her gems did show him the future: her own.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;whenever &lt;/del&gt;performers in Vercezzo’s operas plays a role for a few months, their real life slowly and subtly comes to mimic their characters&#039; experiences. Sadly, the dominant themes in Vercezzo’s &#039;&#039;oeuvre&#039;&#039; are uncontrolled passion, romantic betrayal, scheming women, violent men, and third acts awash in blood.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Whenever &lt;/ins&gt;performers in Vercezzo’s operas plays a role for a few months, their real life slowly and subtly comes to mimic their characters&#039; experiences. Sadly, the dominant themes in Vercezzo’s &#039;&#039;oeuvre&#039;&#039; are uncontrolled passion, romantic betrayal, scheming women, violent men, and third acts awash in blood.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Opera]][[Category:Cursed Item]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Opera]][[Category:Cursed Item]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Cure</name></author>
	</entry>
	<entry>
		<id>http://fraternityofshadows.com/w/index.php?title=The_Blind_Gypsy&amp;diff=24423&amp;oldid=prev</id>
		<title>Cure at 01:14, 22 February 2010</title>
		<link rel="alternate" type="text/html" href="http://fraternityofshadows.com/w/index.php?title=The_Blind_Gypsy&amp;diff=24423&amp;oldid=prev"/>
		<updated>2010-02-22T01:14:49Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 19:14, 21 February 2010&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l3&quot;&gt;Line 3:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 3:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;whenever performers in Vercezzo’s operas plays a role for a few months, their real life slowly and subtly comes to mimic their characters&amp;#039; experiences. Sadly, the dominant themes in Vercezzo’s &amp;#039;&amp;#039;oeuvre&amp;#039;&amp;#039; are uncontrolled passion, romantic betrayal, scheming women, violent men, and third acts awash in blood.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;whenever performers in Vercezzo’s operas plays a role for a few months, their real life slowly and subtly comes to mimic their characters&amp;#039; experiences. Sadly, the dominant themes in Vercezzo’s &amp;#039;&amp;#039;oeuvre&amp;#039;&amp;#039; are uncontrolled passion, romantic betrayal, scheming women, violent men, and third acts awash in blood.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Opera]][[Category:Cursed]]&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;[[Category:Opera]][[Category:Cursed &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Item&lt;/ins&gt;]]&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Cure</name></author>
	</entry>
	<entry>
		<id>http://fraternityofshadows.com/w/index.php?title=The_Blind_Gypsy&amp;diff=24404&amp;oldid=prev</id>
		<title>Cure: Created page with &#039;In &#039;&#039;The Blind Gypsy&#039;&#039; by Cezar Vercezzo a Vistana whose family is killed seeks to prevent future tragedies by trading his eyes to an  evil hag for a pair of gem…&#039;</title>
		<link rel="alternate" type="text/html" href="http://fraternityofshadows.com/w/index.php?title=The_Blind_Gypsy&amp;diff=24404&amp;oldid=prev"/>
		<updated>2010-02-22T00:54:51Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;#039;In &amp;#039;&amp;#039;The Blind Gypsy&amp;#039;&amp;#039; by &lt;a href=&quot;/wiki/Cezar_Vercezzo&quot; title=&quot;Cezar Vercezzo&quot;&gt;Cezar Vercezzo&lt;/a&gt; a &lt;a href=&quot;/wiki/Vistana&quot; class=&quot;mw-redirect&quot; title=&quot;Vistana&quot;&gt;Vistana&lt;/a&gt; whose family is killed seeks to prevent future tragedies by trading his eyes to an &lt;a href=&quot;/wiki/Hag&quot; class=&quot;mw-redirect&quot; title=&quot;Hag&quot;&gt; evil hag&lt;/a&gt; for a pair of gem…&amp;#039;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;In &amp;#039;&amp;#039;The Blind Gypsy&amp;#039;&amp;#039; by [[Cezar Vercezzo]] a [[Vistana]] whose family is killed seeks to prevent future tragedies by trading his eyes to an [[Hag | evil hag]] for a pair of gems that can [[foresight | see the future]]. However, every future he sees depicts the subject being murdered by an unseen creature. The Vistana is soon cast out and forced to live among the [[giorgio]], most of whom rashly try to use the “seer’s” visions for themselves. One by one, the giorgio fall to the [[curse]], including a kind girl who has sheltered the Vistana. In the end, the Vistana races to save her, but discovers the girl dead in the hag’s arms. In the climactic aria, the hag chides him for tempting fate and gloats that her gems did show him the future: her own.&lt;br /&gt;
&lt;br /&gt;
whenever performers in Vercezzo’s operas plays a role for a few months, their real life slowly and subtly comes to mimic their characters&amp;#039; experiences. Sadly, the dominant themes in Vercezzo’s &amp;#039;&amp;#039;oeuvre&amp;#039;&amp;#039; are uncontrolled passion, romantic betrayal, scheming women, violent men, and third acts awash in blood.&lt;br /&gt;
&lt;br /&gt;
[[Category:Opera]][[Category:Cursed]]&lt;/div&gt;</summary>
		<author><name>Cure</name></author>
	</entry>
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